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Canadian Art Series

From the original Art on Stamps archive

1993. Drawing of the Owl, by Kenojuak Ashevak
1994. Vera, by F.H. Varley

The annual Masterpieces of Canadian Art series, begun in 1988, was originally intended to be an only five-stamps set. Although it was popular with the stamps' collectors and the art community, it was not very appreciated by the general population, particularly at the beginning. The reason was that these stamps, which measures 40mm x 49mm, were found to big to be put on the usual envelopes. Another reason why they were unpopular was that they did not pay any particular postal rate. It was not until the second series was issued in 1993 that the stamps had finally a rate to pay. Tip: Point on the images with the mouse index to get more information about the works of of art displayed.

1998. The Farmer and His family, by Bruno Bobak
1997. York Boat on Lake Winnipeg, by Walter J. Phillips

Canada Post's definition of art for this series of stamps is not limited to paintings. Some of them show lithographs, sculptures or artifacts that are part of the Canadian heritage. The designs in the series have been very consistent. The design concept of all these stamps has been the responsibility of Mr. Pierre-Yves Pelletier from Montreal.

1990. The West Wind, by Tom Thompson
1992. Red Nasturtiums, by David B. Milne

The first five stamps had a thin black frame cutting through the silver frame (see aboove, on the left). This frame was removed starting in 1993. All the stamps have all been issued in panes of 16 (4x4). For space reasons, I show above only quarters of them. The top margin of the pane shows the title of the series and the year of issue; the left and right margins name the art, its artist and the location of the original as well as printing information and color dots (also known as traffic lights). The bottom margin shows a row of ten Maple Leafs in the color of the foil.

1991. Forest, British Columbia, by Emily Carr
1997. York Boat on Lake Winnipeg, by Walter J. Phillips
Emily Carr (1871-1945)
Walter Joseph Phillips (1884-1963)

The back face of the FDCs is also very interesting. It speaks, in English and French, about the artist, about the displayed work and about the cachet. The examples above, related to the two FDCs presented earlier, display the pictures of the artists Emily Carr (1871-1945) and Walter Joseph Phillips (1884-1963).

1995. Works of Frank H. Johnston, Arthur Lismer, J.E.H. MacDonald, Frederic Horsman Varley
1995. Works of Franklin Carmichael, Lawren Harris, A.Y.Jackson

The two souvenir sheets displayed above don't belong to the Canadian Arts Series. They commemorate the Group of Seven artists who profoundly influenced the Canadian art and are given here as an example for other Canadian stamps dedicated to arts. Emily Carr, in her work Forest, British Columbia, shown above on a stamp, was influenced in her work by the painter Lawren Harris, one of the members of the Group of Seven.

Text (adapted) after : Charles J.C. Verge. The Masterpieces of Canadian Art Series. Scott Stamp Monthly, July 1999, p. 42-43. Background : a view from Canada.

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